Hi all
My research is focused on traces of physical performance in electronic music recordings, and the affordance of particular instrument designs and interfaces. Along with Jules Rawlinson and Lauren Hayes, I perform frequently as the Monosynth Orchestra, using analogue modular synths in live improvisation.
My research is practice led and I am designing and building synth modules for performance as well as looking to compose for electronic instruments, by the sharing and distribution of clocks, triggers and other controls .
For this workshop I would be happy to concentrate on performing somebody's work as part of an ensemble, or to conceive of a system for integrating digital and analogue instruments in a performance system.
Sean Williams
My research is focused on traces of physical performance in electronic music recordings, and the affordance of particular instrument designs and interfaces. Along with Jules Rawlinson and Lauren Hayes, I perform frequently as the Monosynth Orchestra, using analogue modular synths in live improvisation.
My research is practice led and I am designing and building synth modules for performance as well as looking to compose for electronic instruments, by the sharing and distribution of clocks, triggers and other controls .
For this workshop I would be happy to concentrate on performing somebody's work as part of an ensemble, or to conceive of a system for integrating digital and analogue instruments in a performance system.
Sean Williams
btw. I'm looking at integrating digital and analogue based on clocks and dividers if anyone's interested in following this up?
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